Friday, April 27, 2012

Darin Epsilon - Live in Mexico (April 2012)

Darin Epsilon's April 2012 mix (Live in Mexico) is now available for download on SoundCloud.  It's been awhile since I rated a mix 10/10 but this live set is simply outstanding.  Each track is so full of sound and there's a definite progression leading up to the corker at the end by Sound Process called "Traitor's Gate" (Tash Mix).  On a side note, this track is so airy yet would instantly damage any dance floor - such a contrast that works extremely well.  There's a link below to "Traitor's Gate" on the iTunes Store.

Tracklist for this set is below.


Cid Inc & Lank - Emotional Self (Original Mix) - [microCastle]

Cumiks feat. Louder Bays - Infinity (Monaque Remix) - [Manual Music]

Damabiah - Irminsul, Le Pilier Du Monde (Andrew Bayer Remix) - [Natura Sonoris]

Hernan Cattaneo & Soundexile - Japanese Snowbell (Jamie Stevens Remix) - [Sudbeat]

Mike Griego - People Change (Original Mix) - [Replug]

Guy J - Nightstalker (Original Mix) - [Bedrock]

Oliver Schories - Wildfang (Himan Remix) - [Der Turnbeutel]

Pig & Dan and Mark Reeve - Violet (Original Mix) - [Bedrock]

Cid Inc & Lank - Emotional Self (Microtrauma Remix) - [microCastle]

Cid Inc & Lank - Urban Biorhythm (Original Mix) - [microCastle]

P8 & Answer42 - Fragments (Guy J Remix) - [Anjunadeep]

Rodskeez - 22 Dollar Chorus (Original Mix) - [Mesmeric]

Sound Process - Traitor's Gate (Tash Remix) - [Flow Vinyl]

Friday, April 20, 2012

New Discovery: Darin Epsilon

I discovered Darin Epsilon's Perspectives show a few months ago and I'm addicted.  Almost every track on his shows is a high quality production full of excellent synths and an array of sounds.  I highly recommend checking out his sets on SoundCloud here.  I'm listening to his latest April 2012 Perspectives mix which was recorded live from Mexico and it's absolutely fantastic music.

Friday, February 17, 2012

Bad-fucking-ass:

Wednesday, February 15, 2012

New Digweed album out March 19, a few days before the annual Winter Music Conference....in Miami.

Thursday, February 09, 2012

Absolutely outstanding mix of a classic track from Sasha's San Francisco (GU009). Listen to this once and tell me you don't wanna hit the dance floor...

Der Dritte Raum - "Hale Bopp" (Sebastian Leger Mix)




Friday, February 03, 2012

This is over a month coming but my favorite set of 2011 has to be N-Tchbl's July set for Frisky Radio. The music in this set is so driving and fresh and the overall mood of the set is established early on with back-to-back tracks from Stanisha preceded by an upbeat introduction. The first Stanish track, "It's ok" is a robotic, roller coaster ride of tribal and progressive house that leads into another of similar quality called "Hypnotize Me". The set then moves into some minimal/tribal beats and finally into the throws of a beautiful vocal that sounds eerily similar to Polaroid's "So Damn Beautiful" (think Dave Seaman). This final track track is smooth and lush and ends the set perfectly with some dissipating vocals.

I was introduced to N-tchbl via Frisky Radio early last year and ended up buying a monthly subscription to the station which enabled me to download each and every N-tchbl set. While the July 2011 set is my favorite, the December 2011 set by N-tchbl is a close second.

Have a listen yourself to the July 2011 Frisky Radio set yourself:

N-tchbl - Frisky Radio (July 2011)

Monday, December 19, 2011



Nicolas Coronel has delivered another amazing Frisky Radio set (for those that subscribe like me). Part 2 of his December Mestiza set is absolutely brilliant progressive house. The music is high energy towards the end of part 2 and it's the kind of music that makes you want to dance.right.now.

Tuesday, December 13, 2011


Martin Gore from Depeche Mode and Vincent Clarke from Erasure got together again for the first time in 30 years to produce a new album it's straight up minimal techno. The EP is titled "Spock" and I've got to say it's great. I especially love the Regis Mix as it has some nasty, dark sounds resonating through it.

Friday, December 02, 2011

I just got lost in the last thirty minutes of Nicolas Coronel's November MESTIZA set for Frisky Radio (Part 2). Such amazing, invigorating music.

Sunday, November 27, 2011

I remember hearing Carl Cox play Kernkraft 400's "Zombie Nation" for the first time at Twilo in 2000. My initial impression was that it was a catchy tune and it would last a solid six months. A decade and change later it's still played out incessantly but not in the clubs but all kinds of sporting events. Case in point, I was watching LSU and Arkansas last Friday and heard it during a timeout. I'm curious what Kernkraft 400 does in licensing feeds because the track is everywhere when it comes to football games and basketball games, ridiculous! Check out this official link for some prime examples of the track being played in stadiums: http://www.kernkraft-400.zombie-nation.com. I guess the Stadium Remix is a must have if you're heading to the game this weekend. Jam it out on the interstate baby.

And, the original YouTube video (which is janky as all hell but very intriguing at the same time):

Wednesday, November 02, 2011

Bad-fucking-ass:

Friday, October 21, 2011

Federico Epis' October 2011 Sensations show has some superb, 3am at Twilo moments around the one hour mark. Man, 30 minutes of nasty, dark, chugging house...

Friday, August 26, 2011

This is an interesting music video from Depeche Mode for their recently released Stargate remix of Personal Jesus. You can listen to the single on the Remixes 2: 81-11 album:

Thursday, August 25, 2011

This is an absolutely amazing remix of Sasha's "Cut Me Down" by Federico Epis. Once you listen to it and you're blown away then go back and listen to Infusion's 2003 remix of Kate Bush's "Running Up That Hill". Is there a possible influence there? Listen for yourself. Both are ridiculously moving and 100% invigorating.





Monday, August 15, 2011

N-tcbhl's July 2011 set on Frisky Radio is incredible. I also believe there's a remix of Polaroid's "So Damn Beautiful" in there near the end. Check it out, my rating is 9/10.

N-tchbl - Frisky Radio (July 2011)

Thursday, July 14, 2011

I've been listening to a lot of Depeche Mode lately and found this video on YouTube of a dude playing "Never Let Me Down Again" on his keyboards. Very geeky but so fucking badass. He's got almost the entire track down except of Gahan's vocals. Brilliant.

Wednesday, June 22, 2011

John Digweed's new album "Structures Two" is out as of this past Monday. It includes 43 tracks in total where two of those tracks are continuous mixes. The first continuous mix is titled "Blissed Out Electronica" and is a blend of the tracks on the album and the second is a live set from Avalon in Los Angeles. The rest of the 41 tracks comprise "Structures Two" and the atmospheric direction Digweed has chosen for the second installment in the series. If you're coming back from a late night out and need to unwind or you're en route to work during the week and you need relaxing music this album is for you. The album is artisically strong as it focuses on the elements in the music rather than keeping the attention on the dancefloor. Check it out on iTunes.

Friday, April 01, 2011

I discovered this women's set on Frisky Radio and it's incredibly good music. If you like the old school build up with tribal beats incessantly building to a mellifluous crescendo and all part of a nefarious journey, this set is for you:

N-tchbl - SUBLIMINAL on friskyRadio - 21. March 2011



Bio blurb from SoundCloud:

Marija Nikolic aka. N-tchbl, born in 1984. and raised in Serbia. Through all of her childhood science and music were the main spots of her world, nothing was that interesting and played more of a role in her life. A teacher in primary school spotted her ability to 'catch by ear' and quickly reproduce the solo parts of the songs played on the classes of music education she attended, and soon forced her to start learning piano, but it lasted no longer than a couple of months cuz of the financial inabilities caused by the '90s atmosphere of the country she lived in. But she continued practicing her playing skills on the musical education classes in school and at home on Yamaha keyboards, oftenly playing piano on school celebrations and ceremonials. Then she fell in love with a guitar, again, easily catching the solos and chords from the songs and playing it with no tabs seen, just with a little help of a 'catchy ear'. But the guitar has stayed there in the past being only a hoby and a great love, even nowadays.

Then at the end of 90's she discovered electronic music, thanks to her brother and first rave parties happening in her town at that time. Prodigy and Kraftwerk raised her to the whole new world of something that was not that classical like piano or guitar were at those times. It was a pure inovation in the world of music for her. In the times of revealing the differencies betwen genres, names like Deep Dish, Satoshi Tomiie, John Digweed, Sasha, Dave Seaman and Hernan Cattaneo brought the feeling that progressive house with a soft spots of trance inside was something that suits her the most of all of the music left in this world. Collecting artists and their pieces of that kind, trying to catch every second of it, going to parties to hear how 'big names' are doing it live' she fell in love with it like with nothing else before! Progressive house was something she wanted to live' and love.

In 2006th she decided to try herself out at the first ever party of hers in a small underground club called 'BauHaus' in her hometown. A couple of parties more of that kind followed in next couple of months and then she stopped, being burdened by university duties and striving to finish those ones first. In march 2007th she hitted Belgrade for the first time, playing 5hrs set in an underground Belgrade clubs Infinity and Biro which was a great expirience, seeing people reacting unexpectedly extatic to the music she played. Being listened then by a couple of capital DJs and getting compliments and pursuasions for going forward and climbing the stairs of being a DJ, she gained confidence and continued doing it.

In 2008th she became a part of the "iFACE Agency" crew, together with her friends and collegues DJ Alexandar, Marko Nikolic, Ascaloon, John Deere, Danny Way etc. Played in all of the Serbian capital cities and also internationally in venues like Escape (Bulgaria), Cacao Beach (Bulgaria), Energija, Mamolo, Namaste, Compressor, Soda, Cubo, with names like DJ Tarkan, DJ Alexandar, Keekos, Pete Thompson, John Deere, Life4Funk, Pleta, Danny Way, Straw, Ascaloon, Marko Nikolic etc. In july 2010. she won the "EMC - EXIT Music Conference 2010" competition as one of the chosen DJs by the audience public voting to attend the EMC on EXIT Festival (Serbia) together with fellow DJs and leaded by names like Josh Wink, Tim Exile, Moderat and many more.

Her music was broadcasted on almost all of the worldwide popular radiostations, amongst other less known FriskyRadio, KissFM, PureFM, Proton, 16bit Moscow, Tribalmixes.org, Danceradio.gr, Eilo.org, EnSonic Radio, Insomniafm.com being a guest of many wellknown DJs in this area. In August 2009th she started her second monthly exclusive project called "DEVOTION" on Pure.FM, running also as a monthly podcast of the underground portal Beattunes.com. This has brought her the opportunity to present the whole new side of deep and dark progressive sounds, the female way, progressive sounds that made her fall in love with them back in the previous decade and let that sound never be forgotten

Visit www.n-tchbl.com for being up to date with all of the info.

Saturday, March 26, 2011

My video footage of Digweed @ Ruby Skye last Friday. Enjoy.



In 4 days, on March 30, 2011, it will have been a decade since Digweed's epic solo set for the 4 year anniversary of Sasha and Digweed at Twilo. I was there that night and Digweed was too and he's reminiscing by putting his Kiss 100 set from the night back up for listening on SoundCloud:

John Digweed - Live at 4 Year Sasha and Digweed Anniversary Party

And check out what he says about Twilo:

Twilo - It`s almost 10 years since I played my last set in the best club in the world. I’ve got so many good memories from that period. I played there every month for four and half years, and anybody who ever went to any one of those Twilo nights will remember it. Every single one was special, memorable.
It was more intense than crazy, every month just seemed to get better and longer. I think the music that was around at Twilo suited that sound system and era, and now we are in a different era."

America and clubland lost something very special when Twilo closed.
Lost but never forgotten

Here is a recording of one of the last sets there from me enjoy

John


In case you weren't there, here's my decade old review of the night...

John Digweed & Jimmy Van M @ Twilo [March 30] [New York, NY]

Early in our childhood we all learned that the science of mathematics contains all kinds of numbers. There are the rational numbers, the integers, the whole numbers, the irrational numbers, the prime numbers and even the real numbers. And the ability to distinguish between all of these numbers is fully dependent on learning quite a few mathematical definitions. For instance, where does the number 3 belong? For starters, it's an integer. It's also a real number and a whole number. Oh yeah, it's a rational number and it's a prime number because it's only factors are 1 and 3. Are you confused yet? Well, it is exactly this confusion that makes folks stray away from mathematics. There are so many definitions and so many rules that it makes it hard to get a grasp on exactly what is going on. But, in all of this confusion, there is one set of numbers that folks don't confuse. That set is the constants. Constants are great because their value never changes and once you have memorized them you can recall them forever. Thus, almost everyone knows that the constant Pi can be approximated to 3.14. This was value of Pi one thousand years ago and this was the value of Pi yesterday. That's the beauty of constants. So, in all my experiences of going to Twilo, there has only been one constant. His name is John Digweed.

Each and every time I've gone to hear Mr. Digweed spin, his performances have been purely brilliant. On any given night it's possible that he might play deeper, trancier, longer, and even harder. There's also a chance that his mood could be jovial or a chance that it's just the opposite and quite gloomy. But, regardless of the music style or his general mood, the performance is always brilliant. That's the constant value of John Digweed and last Friday there was no deviation.

We arrived to 530 W 27th a little past 0100 and there was absolutely no line. I really could not believe my eyes. Even though the Sasha and Digweed 4 Year Anniversary had been postponed due to Sasha's medical condition, I thought for sure that the queue would be somewhat long. But, to my surprise, there was no line. Thus, we were all able to get in quite quickly, check our coats and head to the bathrooms. There was word that decks, mixers and speakers had been placed in the bathrooms along with a DJ and this was exactly the case. Indeed, there was a caged DJ spinning some ambient tracks in the men's bathroom while I did my duty. This is another reason why Twilo never ceases to amaze me. Soon after that, I headed to check out the little party that Twiloboss was throwing in order to meet some fellow Twiloites and grab a few drinks. Like the Twiloboss party in February for Carl Cox and Danny Tenaglia, this one was a success. I met a load of folks from the message boards as well as the boss himself. Thank you Twilo and thank you Twiloboss. Now, let's get to the music.

I am not sure how long Sean Cusick spun or if he was even on the decks but when we arrived, Jimmy Van M was already on the decks and he had the place really rocking. I had not heard Jimmy Van M spin since last year. At that time he was the opener for Sasha and Digweed and he was very good back then. But, on Friday, I realized that he had gotten much better. The crowd was already going crazy and the lights were going ballistic. Twilo wasn't warm, it was hot.

Finally, Digweed hit the decks sometime around 0230. From then until about 0400 he grooved some housier tracks and kept the momentum building. And then, the oddest thing happened. Twilo was no longer hot, it was on fire; and yes I mean the literal definition. It was a pretty insignificant fire but as soon as smoke started to permeate, Twilo management informed each and every attendee that the building had to be evacuated. So, in the early hours of a cold March 31 morning, Twilo street was suddenly filled with hoards of sweaty clubgoers as the fire department came and inspected the building. It was not at all convenient but this is not to say we didn't have fun. Soon after the evacuation, an uproarious cheer could be heard from the parking garage across from Twilo. Some folks had decided to leave in their car and were playing disk 1 of Digweed's GU019 Los Angeles. As soon as the first beats of Pole Folder & CP's "Apollo Vibes" were heard, the masses encroached upon the car and surrounded it. Digweed wasn't spinning inside Twilo but everyone was still listening to him through the speakers of a Volkswagen Jetta. It was definitely a beautiful sight.

After almost an hour, we were allowed to reenter the establishment. I would love to say that Digweed lit the place on fire with this repeated pounding sets but I am not sure what caused the fire. Regardless, we were back in the warmth of Twilo and Mr. Digweed himself was on the microphone. He thanked everyone for attending the last four years and gave his sentiments about Sasha not being able to attend. Then, the lights dimmed and we were back in business.

The first track following the evacuation was unbelievable and from there until when he ended at 1100, Digweed laid down a set that I will always remember. I am not sure if he was purely reminiscent or simply prepared his record boxes for the fourth anniversary but there were a lot of familiar, yet punishing tracks. If I am not mistaken, some of ones I heard were Way Out West's "The Fall" (Bedrock Mix), Fat Boy Slim's "Star 69" (X-Press 2 Mix), New Order's "Blue Monday" (Hardfloor Mix), Underworld's "Cowgirl" (Bedrock Mix), Jimmy Van M's "Sanctuary", Teimoso featuring Shelly Preston's "Riding", a mix of KC Flight versus Funky Junction's "Voices", Pete Heller presents Stylus Trouble's "Sputnik", Leftfield's "Not Forgotten", Luzon's "The Baguio Track" (Bedrock Mix), an interesting, yet moving Hybrid mix of Radiohead's "Everything In Its Right Place" and finally a mix of Kosheen's "Hide U".

But, there was one track I didn't recognize that really hit me hard. It was a track that had a man reciting the words to Psalm 23. It was the first time I've heard anyone spin the track and the reason that it connected with me is that back in January I wrote a review of his performance at Twilo and made the analogy of Digweed's set being like the story of Psalm 23 where one walks through the valley of darkness to reach the ethereal light. Whether or not it was a coincidence I will never know but that was definitely an interesting moment..

And so, another night at Twilo has passed and John Digweed has come and gone. But, this is not at all saddening because I can look forward to seeing him again in two weeks with Danny Tenaglia on April 14. I believe I can be fairly confident that his performance then will be like his performance last Friday and thus nothing less than pure brilliance.