Tuesday, December 21, 2010

If you're an iTunes Ping user check out my first Ping playlist:


iTunes Ping Playlist: ephobe (Dec 2010)

Tracklisting is below. The last track, "Ockeghem" (Original Mix) by Yamil Colucci, is an absolutely amazing piece of electroninic music.

1. Eelke Kleijn - "Arpeggiator Stories Continued"
2. JVC - "Maladjusted (The Pushers The Return of The Push Mix)
3. Christian Cambas - "Fireball" (Original Mix)
4. Marco Bailey & Tom Hades - "Bulldozer"
5. John Digweed & Nick Muir - "Bilder" (Club Mix)
6. Petar Dundov - "Distant Shores"
7. Yamil Colucci - "Ockeghem" (Original Mix)

Saturday, December 18, 2010

If you are like me you like to listen to electronic music most of the time with the occasional diversion into other types of music. So, sometimes you need a good warm up set to the day for the drive to work or some downtempo house to entertain folks at home. Especially with some vocals. Ali Geramian has delivered his Winter 2010 mix over at Soundcloud and this set definitely prances beautifully from mellow, deep house to proper disco house without over amplifying your speakers or your head for that matter. Check it out...

Tuesday, November 30, 2010

Sasha has posted his set from the 2010 DJ Magazine awards here. Right click on the little arrow pointing downwards to download.

Monday, November 15, 2010

Nick Muir's special Bedrock 12 remix of "Heaven Scent" is now a free download on John Digweed's Facebook page:

You can also see the reaction of it being played out for the first time here (great to hear "Age of Love" as the 2nd to last track of the Bedrock 12 night):



Wednesday, June 02, 2010

John Digweed has a forthcoming album out in July on Bedrock called "Structures". He has put up a preview mix on Soundcloud today. Check out it out here. Nine of the fourteen tracks are unreleased including Quivver back with a track titled "In Your Boat". Have a listen...


Monday, April 26, 2010

Elizabeth Fraser - "Underwater" (Charlie May Remix)

The Charlie May remix of Elizabeths Fraser's "Underwater" still remains, after almost ten years, an extremely sought after track. According to known sources, Elizabeth herself didn't like the remix so it was never released for public consumption. Thus, only the elite, in-crowd were touting the track in their bags, including Nick Warren, Parks & Wilson and John Digweed. Digweed actually ended his Twilo sets in early 2001 with the track on several occasions. It's an absolutely beautiful dance record that has yet to see the light of day. The only remnants are of a YouTube video I recently discovered. I imagine a few are curious who the YouTube user avgofeta80 really is. I know I do.

Wednesday, April 14, 2010

Luis Junior - Colache (Film Translation Mix)

What sounds like it could be a definitive on James Holden's Border Community label, the Film Translation mix of Luis Junior's "Colache" is a superbly orchestrated demonstration of thought provoking progressive house on none other than Bedrock Records. Without a touch of monotony, the music is mesmerizing melancholy at its best and yet at the same time incredibly uplifting at moments. The remix is aptly named as you could certainly imagine it being the backdrop to a pensive drama scene in a Hollywood film. Well done Luis Junior.
Grafiti - "Spooky Trains" (Nick Warren's Back of the Bog Dub)

This track starts out quite innocuous with a mellow house rhythm but then gains momentum and turns quickly into a never-ending landscape of sounds juxtaposing each other. This recent remix offering from Nick Warren is for sure one of his better contributions of late.

Saturday, February 06, 2010

As usual, John Digweed again did his New Year's Eve gig in Los Angeles. I didn't go and I'm glad I didn't because I'm too old for the masses of people that showed up to hear the entire line up at Together as One, including David Guetta, Sander Kleinenberg, Dubfire and Digweed. It just doesn't seem worth it when you want to see only one of the performers and they only end up playing a couple of hours. In addition, I've already seen Digweed on New Year's Eve in Los Angeles: for 9 hours, on his own and in a club way back in 2003. Thus, there's very little chance I'll see Digweed again on New Year's Eve unless a commensurate event surfaces in the next few years.




However, a few weeks before the last day of the decade, I noticed that Digweed was going to be headlining a few shows after the Los Angeles event, including Seattle on New Year's Day and Ruby Skye in San Francisco on the 2nd. It was then time to dust of the Digweed shoes and plan for a night out.

Since moving to the Bay Area from Manhattan in 2005, I've now had a chance to catch Digweed on three occasions and this third visit was by far the icing on the cake. My friends and I arrived at Ruby Skye around 11pm, found our reserved table on the second floor and enjoyed the sounds of the veteran Kazell. Like Jimmy Van M of the Twilo days, Kazell is an experienced opener who always establishes an excellent foundation from which Digweed can not only build upon but move in any direction he may see fit. Kazell's set was a good one and wrapped up around midnight. On came Digweed to a multitude of roars, cheers and rants. The night had officially began.

It was surprising how many vocals Digweed played in the first hour or so but soon after, the music got aggressive and then stayed aggressive almost the entire night. From about 2am until 4am, the music wasn't melodic and it wasn't housey nor was it minimal. The music was just god damn mesmerizing and absolutely insane. From recent remixes of classics like Saints and Sinners "Pushing Too Hard", Tone Depth's "Rumblefish", Radiohead's "Everything In Its Right Place" to the newly minted "Come Home" by Yousef, Digweed played at an astonishing high level and the San Franciscan crowd was all the more happier to urge him upward. On two separate occasions my friends and I thought the night might've been winding down and Digweed might transition into more disjointed sounds but we were wrong both times as Digweed incessantly hammered us with big room drama in the form of absolutely annihilating progressive house. To say the least it was a phenomenal night of music and one I was glad I got up for as my days of clubbing are indeed waning. I'm now convinced though that my limited nights out have to be worth it and the only way I can somewhat guarantee myself an excellent night out is to catch Digweed when he's in San Francisco. Uncompromising music leads to uncompromising nights out so I'll definitely be looking forward to Digweed's return to the west coast.